Your recent release Visionland was recorded at Plum Creek Sound Studios. How was the experience working with Israel Nash and Ted Young?
It was amazing. We spent a little over two weeks out in Dripping Springs, TX fully submersed in the album. We meshed really well with Israel and Ted and I think it shows.
I read that the album title came from an old amusement park that some of you grew up near. I have a serious love for all things theme park. What are some of your best memories of that park before it shut down?
Yeah, Visionland was a theme park in Bessemer, AL. Despite its many, many faults there were some good times had there. The Rampage (their wooden coaster) was pretty cool when it worked.
Visionland seems likes its gone down more of a psychedelic vein than your last LP. If you all had to pick one person in the band as your spirit guide, who would it be and why?
Haha. I think we’d probably outsource that job.
Word on the street is you’ve done around 600 shows in the last three years. What effect does all that time on the road have on you personally and on the music you create?
I’d say more than that. It’s hard to say how effected I am by it. Too far in it to know, I guess. It gives you a lot of material to write about, though.
Finally, what are you all listening to in the tour van lately and who gets to control the dial?
We’ve been listening to a lot of Gerry Rafferty, Faces, Kendrick Lamar, Wu Tang, Mel Tillis, and Blaze Foley. Typically whoever is riding shotgun also DJ’s. Keeps it fresh.
“Fine, Fine, Day” off their new LP Visionland